'Clearing'
11x17" Soft Pastels on Wallis Museum Grade paper
I took the image into Photoshop and just pushed the contrast and brightness a little. That revealed the shadow lines and the lay of the land in the foreground. Wishing to avoid all the detail of the brush, I simplified the image to value masses and decided to try it as a representational abstract in watercolor. Enjoyed this, but the clouds were a disaster. Removed and tried again until I finally ruined it and gave it up for lost.
Gary Keimig's Photo from Horse Creek
Determined not to be beaten, I returned to Photoshop just to play and see what I could discover with the painting tools as I had not yet used them. In my mucking around I happened to create a pale yellow sky where there was none at all, and THAT inspired the treatment you see here. I saw a late (or early) thunderstorm moving off east, with a clear yellow sky, and cloud tailings being pulled away into the retreating clouds. That gave me excuse for the light on the golden hill, and a way to tie the bottom of the image to the top. This time in Pastels.
Update 08.03.10
I have been living with this piece for several weeks and love it more very day, though until today, I was unable to say why. Now I know. I like that the distant mountains seem to be so 'other worldy' as if from a dream. This picture speaks to me in metaphor, the 'mental' clouds beginning to lift the veil between what is beneath my feet and what could lie in my future. Solid obstacles lie between, but so does a path from here to there...and so the name should be simply 'Clearing.'

